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For a country house as well as for a contemporary apartment, the kitchens designed by Spirito Montalto like to write the daily life with unique pieces. Massive, generous, cut by the abruptness of the stone, seeming to be modeled in the shade of lime and sized to perfection, each sink project is a sculpture.

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"It is a real pleasure to be able to work with companions and to redesign stained glass windows with the complicity of the famous Atelier Simon Marcq in Reims". For a private chapel, Sara and Jean-Luc express a personal and refined vision of stained glass. The lead becomes mineral, the embrasure absorbs the frame, only the tint of the glazing is sublimated.

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Stretching an indoor swimming pool with the same rigor as for the architecture, thus Sara and Jean-Luc have conceived and designed this water mirror all in grayed tadelakt in half-tones.
Like an exercise in their style where the pool cut in line with the wall plays with reflections, materials, sculpted edges, ancient stones and subdued light.

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The accuracy of the interior architecture lies in the purity and simplicity of the lines. Lime, tadelakt, smoothed roundness or the iron line of a handrail, the soberly cut steps model the staircases like sculptures.

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Each place is a setting where the gaze can slip gently. The perspective effect and the rhythm of the thickness of the walls take on here, more than ever, all their importance. Each passage and the smallest row of doors must be studied or re-studied so that their proportions can guide the light.

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As artists, Jean-Luc Charrier and Sara Giunta like to draw paintings of light on the frame. With a stroke of a pencil, the walls become picture rails to hang line effects, cutouts, stretched iron structures like so many singular openings and frames on the landscape.

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Take advantage of the singularities of the architecture, a vault or an old warehouse to give spirit to a laundry room or a kitchen. The only guideline is the correspondence between the existing building and the creative contribution. All the art of making a glass roof respond to tiles or a glass wall or a stone wall to a brick hood.

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Could Montaigne have inspired this secret refuge of literature? This tower of blank pages written by Sara Giunta, this marvelous library that climbs very high under a vault of childhood dreams ... The architecture can therefore be read as withdrawn in an ivory tower, built in plaster tiles, coated with lime, custom-designed with an alcove in which to nestle the armchair of the man of books.