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Each place is a setting where the gaze can slip gently. The perspective effect and the rhythm of the thickness of the walls take on here, more than ever, all their importance. Each passage and the smallest row of doors must be studied or re-studied so that their proportions can guide the light.

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As artists, Jean-Luc Charrier and Sara Giunta like to draw paintings of light on the frame. With a stroke of a pencil, the walls become picture rails to hang line effects, cutouts, stretched iron structures like so many singular openings and frames on the landscape.

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Take advantage of the singularities of the architecture, a vault or an old warehouse to give spirit to a laundry room or a kitchen. The only guideline is the correspondence between the existing building and the creative contribution. All the art of making a glass roof respond to tiles or a glass wall or a stone wall to a brick hood.

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Could Montaigne have inspired this secret refuge of literature? This tower of blank pages written by Sara Giunta, this marvelous library that climbs very high under a vault of childhood dreams ... The architecture can therefore be read as withdrawn in an ivory tower, built in plaster tiles, coated with lime, custom-designed with an alcove in which to nestle the armchair of the man of books.

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Make way for custom-made products for a timeless material that gives architecture its splendor. Everything here is built according to the physiognomy of the place, in the rules of the art according to a simple and ancestral assembly of 18th century terracotta bricks. Similar to the work of a tailor for a parade of vaulted passages or chimneys.

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Integrating architecture into its environment is essential to building well-being. An earth-colored house that blends into nature, an entrance under the influence of the vine and the gaze that escapes to the garden by a moss path... "For us, the building and the plant are one".